Tuesday, March 22, 2011

The Beast Within, Part...4?

“As thought to harmonize with the general mood, the rocket bombs had been killing larger numbers of people than usual. One fell on a crowded film theater in Stepney, burying several hundred victims among the ruins…Another bomb fell on a piece of waste ground which was used as a playground, and several dozen children were blown to pieces. There were further angry demonstrations, Goldstein was burned in effigy…and a number of shops were looted in the turmoil; then a rumor flew round that spies were directing the rocket bombs by means of wireless waves, and an old couple who were suspected of being of foreign extraction had their house set on fire and perished of suffocation.”

--p 149

As I read this passage, my immediate suspicion was that it may actually be Big Brother who coordinated these bombings on Oceania. After all, these seem like rather civilian-oriented bomb drops; if Eurasia really was bombing Oceania, one would assume that they would attempt to bomb the separate ministries, yet instead they bomb the locations which would incite civilian rage against them. This uncannily unlucky placement makes me think that Oceania may in fact be bombing their own citizens in order to maintain fear and incite rage and support for the war effort against Eurasia. Regardless of whether this is true or not, however, the theme in this passage—one discussing the extremely violent and savage measures that fear can drive people to take—remains. In this passage, people have become so fearful of bombings that they are driven to take the law into their own hands. What is so frightening about this situation is that it is an old couple—a common symbol of innocence—that is killed by arson. Fear causes men to lose most common sense; they become fueled solely by the animalistic instinct to survive at all costs.

This animalistic instinct, as well as the lengths the people took to ease their fears, reminded me of the actions of the Jack’s group of boys in William Golding’s Lord of the Flies. Jack whips the boys into such a frenzied fear of the Beast that they savagely murder Simon due to blind suspicion that he was the beast. They then kill Piggy simply because he opposed them. In a way, this savagery has already occurred in Oceania. People kill those whom they fear to be traitors, yet the Thought Police already are immediately killing anyone who even thinks of opposition to Big Brother. Despite the Party’s supposed sophistication, the Party in reality consists of nothing but animals.

UPDATE: On page 153, Julia expresses her own belief that Big Brother is actually responsible for the air raids. Looks like I’m not so crazy after all!

That's Amore

“Eight minutes had gone by. He readjusted his spectacles on his nose, sighed, and drew the next batch of work toward him, with the scrap of paper on top of it. He flattened it out. On it was written, in a large unformed handwriting: I love you.

--p 108

Well, this is a rather interesting plot twist, eh? Personally, I was more than a bit surprised when Winston read the note and discovered those three little words. Like Winston, I was expecting the note to entail details about where Winston could meet with a Brotherhood operative, or even with Goldstein himself. I thought that Orwell’s main focus in this book involved Winston’s attempt to rebel against Big Brother. Now, however, I have a feeling that Orwell’s plot is not as grandiose as I believed. Perhaps Orwell’s tale will turn out to be a romance story amid a harsh, unaccepting society (unlikely). Perhaps the tale is simply supposed to be that of a regular man in his futile life within an oppressive government. This possibility seems rather likely. I now doubt that Orwell’s intent is to write of Winston’s endeavor to bring down Big Brother; after all, Orwell’s intent in writing 1984 was not to teach how to overcome socialism, but rather to warn against accepting socialism before it is implemented.

Down the Memory Hole (Flashback)

“But this was concrete evidence; it was a fragment of the abolished past…it was enough to blow the Party to atoms, if in some way it could have been published to the world and its significance made known. He had gone straight on working….Then, without uncovering it again, he dropped the photograph into the memory hole, along with some other waste papers. Within another minute, perhaps, it would have crumbled into ashes. That was ten—eleven years ago. Today, probably, he would have kept that photograph.”

--p 79

Over the course of his writing, Orwell includes several flashbacks from earlier in Winston’s life. These flashbacks often reveal some aspect of Big Brother’s society which Winston struggles to accept. Winston is able to remember limitedly a time different from the present, or memories which contradict his current situation. Yet while he may briefly use these memories to fuel his temporary hatred for Big Brother, these memories inevitably fade back into memory. Like the photograph in his flashback, these flashbacks and memories are unable to convince Winston to act progressively, even in the face of such contradiction and oppression. These flashbacks only emphasize the fact that Winston is unwilling to take the risk in standing up to Big Brother. Sure, he walks in the bad part of town; yet that hardly makes him a hardened rebel. In reality, Winston is little more than a spineless subject to the Party like all the other mindless citizens of Oceania.

Be Oppressed Like an Egyptian! (Paradox)

“And what way of know that the dominion of the Party would not endure forever? Like an answer, the three slogans on the white face of the Ministry of Truth came back to him: WAR IS PEACE. FREEDOM IS SLAVERY. IGNORANCE IS STRENGTH.”

--p 26

These three slogans of Big Brother are all rather jarringly twisted paradoxes. I’m still not totally sure that I understand them well enough to argue their truthfulness or not, yet they seem unsettlingly incongruous with my beliefs. This is most likely due to the fact that I’ve grown up in a democratic country where freedom, peace, and knowledge are so strongly valued. To me, these slogans carry little if any truth or validity; they simply make no sense. Yet citizens believe them and abide by them. They have learned that two extremely different ideas are in fact the same, and their mental processes reflect this convolution. Despite Winston’s growing realization that these slogans are weak and that Big Brother is oppressive, he takes pride in his ability to fit into Big Brother’s system so well. He knows that Big Brother is always right and benevolent, yet simultaneously he knows that Big Brother is wrong and malevolent.

This condition, known as cognitive dissonance, was also experienced by the ancient Egyptians, who both trusted their Pharaoh to provide for them as a god, yet blamed him for not appealing to the gods when crops were meager. This cognitive dissonance led the Egyptians to become obsessed with religion and fanaticism. Perhaps the same will happen to Big Brother.

Things Are Looking Doubleplusungood (Vernacular)

“It’s a beautiful thing, the destruction of words….Take ‘good,’ for instance. If you have a word like ‘good,’ what need is there for a word like ‘bad’? ‘Ungood’ will do just as well—better, because it’s an exact opposite, which the other is not. Or again, if you want a stronger version of ‘good,’ what sense is there in having a whole string of vague useless words like ‘excellent’ and ‘splendid’ and all the rest of them? ‘Plusgood’ covers the meaning, or ‘doubleplusgood’ if you want something stronger still…In the end the whole notion of goodness and badness will be covered by only six words—in reality, only one word. Don’t you see the beauty of that, Winston?”

--p 51

This rather frustrating passage summarizes the entire concept behind Ingsoc’s vernacular, known as Newspeak. The interesting aspect of Orwell’s usage of a vernacular is that not only does he use it, but he explains it. If Orwell had simply written in the vernacular, including words such as “ungood” and “doubleplusgood”, the reader would infer that Big Brother has dumbed down society, creating a stupid—and almost illiterate of sorts—mass of citizens to obey them. By explaining why citizens speak in Newspeak, however, Orwell sends an even more frightening message. Big Brother has created Newspeak not to make it easier to express ideas, but actually to make it harder. By limiting people’s power of expression, Big Brother limits their power to think independently. The whole point of an expanding language is to accommodate for new ideas, opinions, and beliefs. By shrinking the language, Big Brother slowly but surely inhibits these ideas and opinions, getting a firmer grip on the minds of its subjects over time. Orwell explains his vernacular to emphasize the implications of “benevolent control.”