Showing posts with label Personification. Show all posts
Showing posts with label Personification. Show all posts

Wednesday, April 13, 2011

The Game's Afoot! (Personification)

“Sometimes, on the very brink of certainty, I failed; yet still I clung to the hope which the next day or the next hour might realize. One secret which I alone possessed was the hope to which I had dedicated myself; and the moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding-places.”

-p 53

For a scientist, Frankenstein is exceptionally adept at eloquent speech. In this passage, Shelley includes two separate cases of personification which work together to create a rather primal portrayal of a hunt. The moon appears as an indifferent onlooker, watching Frankenstein as he desperately and hopelessly attempts to defy nature in his creation. I find it interesting that Frankenstein describes his endeavor not as a pursuit, but as a hunt. If it were merely a pursuit, then Frankenstein would simply seek to attain the secrets of nature and capture it for his own use. Instead, his endeavor is a hunt: he does not seek simply to capture the secrets of nature; he seeks to kill nature itself. Although he does not realize it at the time—and to be honest, I doubt he realizes it even as he speaks—the true meaning of these words gives a sense of foreshadowing to the ungodliness of his scientific pursuit. Frankenstein does not simply seek to understand nature; he seeks to completely and utterly destroy it.

Tuesday, July 6, 2010

America the Roll of Fat (Figurative Language)

In many ways he was like America itself, big and strong, full of good intentions, a roll of fat jiggling at his belly, slow of foot but always plodding along, always there when you needed him, a believer in the virtues of simplicity and directness and hard labor. Like his country, too, Dobbins was drawn toward sentimentality.”

-The Things They Carried
, p 111


This passage contains two types of figurative language combined to create an extended comparison between Henry Dobbins and America. First, O’Brien employs a simile (in orange) to set the initial comparison. He follows this with an extended personification of America that also serves to describe Dobbins. What is interesting is the difference between the written style and the implied style of this passage. In the way it is written, the entire description pertains to Henry Dobbins. Yet when read, it is evident that the description is primarily meant to depict America. While the entire analogy is created by the simile, it is the personification that carries the full power of the comparison. In describing Dobbins, O’Brien indirectly reflects upon American ideology.