A Matter of Pride (p 1119, Question 1)

For the most part, Lorraine Hansberry's A Raisin in the Sun employs realistic conventions. The plot evolves within the normal, realistic context of the Youngers' apartment. The family's financial and social situation, their mannerisms and actions toward each other, their hopes and dreams--all of these are very much realistic and true to African American culture in Hansberry's time. Hansberry wrote this play to reflect upon the status of her people at the time of its writing; in order to serve this reflection proper justice, she entrenched the plot within reality.

Near the middle of the play, however, Hansberry briefly departs from reality through Walter and Beneatha's African ritualistic dance. Thus far in the play, the Younger family has acknowledged their African heritage but has not done much to show interest or pride in it. This lack of African culture vanishes, however, through the fervid (and in Walter's case, drunken) dancing to the Nigerian tribal music. This scene presents the audience with a significant glimpse into the strong pride held by the Youngers for their African heritage. Though they may not openly show their pride in their culture, that pride is still very much present.